Local Folklore
“Reach home before dew ketch yuh.”
“Doh be outside at mid-day (or mid-night).”
“Doh go outside after dark.”
“If you hear any noise outside in de night doh look.”
“Put salt by de windows and doors to keep out soocoonyah
(soucoupyant).”
I’m sure those of you born in the 1980s and before
would have been warned about these things by a parent, grandparent, cousin,
aunt, uncle, neighbour or somebody.
All of these admonitions and more would have been as a
direct influence of our rich and colourful folklore, a folklore that would have
been taken from the home lands of slaves, indentured labourers and colonists.
Some of our folklore characters can be seen directly in the folklore those
countries and again some characters are similar but have been influenced by
other cultures and distilled in to a total Trinbagonian character. Each island
of the Caribbean also have their very own unique characters.
In the earlier days before streetlights became widespread
darkness and fear were the choice of tools to teach values. Children especially
lived in fear of douens, lagahoo, soocoonyah, lajablesse, Papa Bois while Bre
Anansi was the trickster that taught another set of values.
Douens were said to the spirits of children who died
before being christened; their feet were turned backwards and wore large straw
hats. If people were out by themselves in forested areas around mid-day, the
douen was said to scramble them and get them lost in the forest.
Lagahoo was the naked man with a coffin for a head and
a chain around his waist that dragged on the ground as he walked. He was the
evil spirit that walked at night and announced its presence by the sound of the
dragging chain and the seven lit candles on the coffin. Anyone who looked at it
was supposed to be struck blind and lose their soul to the devil.
The Lajablesse (la Diablesse) was the evil spirit that
took the shape of a beautiful woman in flowing dress and large hat that covered
her face. She avoided light and walked with one foot always hidden in the grass
because it was that of a cow’s hoof. If any is seduced by her charms then she
will take their soul but if any light shone on her she would scream and show
her true features which were large, sharp teeth and a blood curdling laugh.
These folktales were brought from West Africa and
France and all the other countries that slaves and indentured labourers came
from. These stories were used to teach people values of family life, honesty
and spirituality. But the proliferation of electric streetlights began eroding
the fear of the darkness and eroding the teaching effect of the folktales.
But some people even to present will tell you about
their encounter with a soocooyah or a hunter may tell you about his run in with,
what could only be, Papa Bois. These tales are another reflection of the rich
and diverse heritage of the Caribbean. Many local artists and authors have
produced works of these characters.
Which is your favourite character?